5/26/2023 0 Comments The pedestrian charactersYou can make an even more significant impact by going a little deeper. Don't Rely on AdjectivesĪdjectives can be used, but shouldn't be relied upon.īeautiful features and dangerous eyes are good descriptions, but once you begin to overuse adjectives for your character descriptions, they become clichéd and equally mundane. Whatever the attribute may be, don't let it be mundane. Maybe their socks don't match, their clothes aren't the right size, their eyes are shifty, their beard is messy, their hair is unkempt, their face has a scar, their arm has a specific tattoo, etc. Those mundane details may be accurate to what you envision within your mind, but they don't offer any vivid imagery for the reader.įind one specific mannerism, characterized trait, or item of clothing that best describes what we need to know about this character and the first impression they make. Give us visuals that tell us something about this character. There's no intriguing or memorable element that will imprint on the reader's brain. There's no characterization within this visual. What does that tell us about this character? Nothing. There's nothing worse than scene description that reads like a driver's license - 43-years-old, bald, brown eyes, with an average build wearing a white shirt, jeans, and shoes. Mundane is defined as lacking interest or excitement dull. Here are five simple things to remember when you tackle that line of character description while introducing main characters within your screenplay. Learn how to master the art of the rewrite with this free guide. The waiter, the bus driver, the pedestrian, or any other single or no line character doesn't need to have an impressionable line of scene description, no.īut when it comes to those main characters within your story, you need to remember how to describe those characters with lasting effect. We're primarily discussing lead protagonists, antagonists, and supporting characters. It's the first imprint attributed to whatever character you are introducing.Īnd when we're talking about character description, we're not stipulating that you need to offer creative description with every secondary character that populates your script. How you describe a character you're introducing within your cinematic story is the first visual that is embedded into the imagination of the reader. Should screenwriters pay special attention to their character description when they introduce characters?Ĭharacter description is one of the most underrated and forgotten aspects of screenwriting, even though it's one of the most vital visual moments within a screenplay.
0 Comments
Leave a Reply. |